Showing posts with label Hobbes Holluck. Show all posts
Showing posts with label Hobbes Holluck. Show all posts

Sunday, August 13, 2023

Storybox in Silver Spring

I met some new cartoonists and saw some old friends.




Box Brown

Anna Sellheim

Art Hondros

Dale Rawlings (I bought that page)

Michael Auger (I bought that painting)

Sean Fahey

Athena Naylor

Adam Griffiths

Lee Strawberry

Brandon Wallace

Tuesday, August 15, 2017

Meet a Local Cartoonist: A Chat with Hobbes Holluck

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Hobbes Holluck and Karly Perez at SPX 2016


by Mike Rhode

Hobbes Holluck of Winchester, VA participated in the Heroic Aleworks comic book fair this spring, and asked to postpone an interview until he launched his new Kickstarter campaign.  It's live now, so he's telling us about his career by answering our usual questions.

What type of comic work or cartooning do you do?

The things that seem to be constantly recurring in my work are monsters and humor.  Right now I have two fairly distinct styles I work in.  One is a very colorful cartoony style that I use when I do my own storytelling.  The other is a much more dark and expressive style I developed working with Karly Perez.

How do you do it? Traditional pen and ink, computer or a combination?

I generally work traditionally if I can.  I use pencil, ink, inkwash, markers, airbrush, acrylic paint, gouache, etc.  I basically use whatever medium is appropriate for the effect I want.  For Fuzzbuquet, the current story I'm working on, I will generally start with a pencil sketch, ink it, color it using copic markers and then use airbrush for the background and special effects.

When (within a decade is fine) and where were you born?

I was born in San Juan Puerto Rico in 1981.  Growing up in the 80's had a substantial influence on my work.  Saturday morning cartoons, toy culture, Garbage Pail Kids, and that era of comics definitely resonated with me.  I could go on and on....

Why are you in Washington now?  What neighborhood or area do you live in?

I grew up in the suburbs of D.C. in Chantilly, VA.  I spent about 5 years in Richmond for grad school and then moved back to the area to work as an art teacher.  I recently moved to Winchester.

What is your training and/or education in cartooning?

I have a BA in fine art from Virginia Tech but I didn't learn much about comics or cartooning there.  I probably learned more about the art of cartooning from the blog of John K than anywhere else.  Spending time studying my favorite artworks/cartoons/comics and trying to recreate techniques I see is also quite illuminating.  I learn a lot from artists who share their work on YouTube and social media.

Who are your influences?

The classic Looney Tunes and Disney shorts (especially those by Jack Hannah and Chuck Jones) John K, Ralph Bakshi, Dave Sim, Eastman and Laird, Brom, Tony Diterlizzi, Eric Powell... again the list could go on and on.

If you could, what in your career would you do-over or change?

I wish I would have spent more time making things and less time playing video games.  

What work are you best-known for?

Fuzzbuquet.

What work are you most proud of?

Fuzzbuquet.  I finally feel like I am producing a story that's close to the way I envisioned it in my head.  It's a fantasy story that's heavily influenced by my love of the cartoons in the 80's and early 90's but it's also very much its own thing.  While it's a whimsical tale, I think once I get through the whole story it will be a meaningful one as well.  I also really identify with the main character- He's an idiot chasing his dreams. 

What would you like to do  or work on in the future?

If and when I finish Fuzzbuquet, I'd like to get into making wooden nutcrackers from scratch.
 
What do you do when you're in a rut or have writer's block?

If I don't feel like drawing/painting I try to force myself work for at least 30 minutes.  If I'm still not feeling it I'll take a break and come back to it when I'm ready.  As far as writer's block, I usually let my best thoughts come to me when I'm driving to work in the morning or taking a shower and then record them as soon as I can.  My wife is also a phenomenal help when it comes to writing, critiquing and bouncing off ideas.

What do you think will be the future of your field? 

It seems things are going more and more digital.  Maybe that's why I enjoy working traditionally so much.
  
What local cons do you attend? The Small Press Expo, Intervention, or others? Any comments about attending them?

Small Press Expo, Awesome Con and Baltimore Comic Con.  I think each one appeals to a slightly different crowd.  I've had good experiences at all three. 


What's your favorite thing about DC?

Joining the DC Conspiracy and finding other people that love making comics as much as me.

Least favorite?

The traffic.

What monument or museum do you like to take visitors to?

The National Gallery holds a special place in my heart.  I vividly remember my trip there in 5th grade and it changed my life.  It has a little something for everyone and it always brings back great memories.
 
How about a favorite local restaurant?

This is outside the city but in Burke, VA there is a tiny little Spanish restaurant called El Pueblo.  If you go, get the Xango's for dessert.  Bananas and cheesecake never tasted so good.

Do you have a website or blog?

Thursday, February 23, 2017

How one school created its annual Graphic Novelists Workshop

 by Matt Dembicki

Powhatan School in Boyce, Va., will host its 4th Graphic Novelists Workshop on Friday, March 3, from 12:30 to 4:30 pm. The workshop costs $25 per participant and is open to all students in grades 3rd through high school are invited to attend. Participating students will attend sessions with each of the presenting graphic novelists and have the opportunity to use what they have learned to create their own graphic novelette. Registration for the workshop is online at www.PowhatanLibraryOnline.com 

Presenting graphic novelists include Hobbes Holluck, Carolyn Belefski and Art Hondros.


Below, we chatted with Tracie Chloel Lane, library media specialist at Powhatan, who has spearheaded the annual workshop.

How did the idea for these comics workshops originate?

Several years ago, one of my students came across Trickster, and bought a copy for our library. The donation was quickly followed with a “Ms. Lane, you should get this guy to come visit our school.” Engaging my investigative skills, I logged into Facebook, and typed Matt Dembicki into the search feature, thus beginning my side job stalking graphic novelists and authors so I could lure them to our school. The resulting author visit ignited our students. Our graphic novel collection was born. And an idea formed. The following year, we invited Matt back and asked him to bring a couple friends. It was our first Graphic Novelist Workshop @ Powhatan School.
 Tracie Chloel Lane

The workshop format is really great for the participants. Author visits are wonderful. They give students the opportunity to meet and learn about the authors of the books they read and love. A workshop takes that visit to a deeper level. It gives young people the opportunity to learn from people who are writing the stories that feed their brains and fires up their imaginations. The workshop gives them the opportunity to see themselves as the writer, the illustrator, the creator of books. It demystifies the experience of having a byline on the cover of a book. It gives our children and teens the opportunity to see themselves in that role.

Our Graphic Novelist Workshops spawned our writing workshops that take place in the fall.

What’s been the reaction among the students, teachers, parents?

This is the fourth year we have hosted the Graphic Novelist workshop at Powhatan School. Every year, we have more students and alumni coming than the year before. Several of our students have produced their own graphic novels. One of our young novelists has gone on to sell his work and another is heading off to Virginia Commonwealth University in the fall to study Communication Arts. Our parents and teachers love anything that gets kids reading more, writing more, and enthusiastic about the process.

You always look for ways to add a new spin to the program. Can you briefly outline what you’ve done in the past and your ideas for the upcoming program in March?

Art by Carolyn Belefski
Our base group of participants come every year. A new spin on the workshop is essential. Our participants want to build on the skills and knowledge they’ve gained. We host different novelists each year. The novelists are active participants in determining what skill will be shared and how it will be taught. We coordinate this through a private Facebook group that gives current and previous presenting novelists and editors the opportunity to communicate ideas and experiences with each other. That helps mix things up a bit.

This year, I want to take it a step farther. I want to publish a collection of the works of the children and teens that participate in the workshop. To facilitate this goal, we’ve invited a former editor of the Magic Bullet to participate this year.

If other teachers and librarians might be interested in adapted a similar program at their school or library, what advice would you give them on how to get started?

First, they need a Matt. Matt helps me find the up-and-coming (and already there) graphic novelists and editors that I invite to our workshop each year. Visit another graphic novelist workshop. Our program is open to our students and the community at large. Visiting teachers and librarians are welcome at our Workshop (though I may put them to work).

What has been the most challenging part of the program?

Art by Hobbes Hillock
Funding. For the first three years we offered the workshop free or with a small fee for expenses. This year, funding has made it necessary to charge a $25 registration fee to cover the costs.